’A phenomenal
and sensational work, Flirting with Space speaks of David Crouch’s
intense and passionate interest in how it feels to feel. His
spatial theories on life as it’s lived are spry and vital,
asserting the generative and creative power held by people,
trusting in the ordinariness of emotion and common experience,
and seeking out practices of humane value.’
- Hayden Lorimer, University of Glasgow,
UK
‘Crouch invites his readers on a journey that meanders
through the workings of myriad artists, sojourners, and theorists,
evoking resonances between seemingly unrelated pathways of intellectual
and emotional discovery. Flirting with Space is a work of enchanting
potential, written from the unique perspective of a mature artist
and distinguished scholar.’
- Sally Ness, University of California
Riverside, USA
The idea of ‘flirting’ with space is central to
this book. Space is conceptualized as being in constant flux
as we make our way through contexts in our daily lives, considered
in relation to encounters with complexities and flows of materiality.
Through considerations of dynamic processes of contemporary
life-spaces, the book engages the inter-relations of space and
journeys, and how creativity happens in those inter-relations.
Unravelled through wide-ranging investigations, this book builds
new critical syntheses of the intertwining of space and life:
the mundane and exotic, ‘lay’ and ‘artistic’.
The book creates a fascinating and original view of our interaction
with space.
Contents: Prologue; Flirting with space; Everyday abstraction:
geographical knowledge in the art of Peter Lanyon; Spacing,
performing and becoming: tangles in the mundane; The play of
spacetime; Expressive encounters; Landscape and the poetics
of flirting (with) space; Some conclusions; Bibliography; Index.
Includes 4 colour illustrations
To order, please visit: www.ashgate.com http://www.ashgate.com/
All online orders receive a discount.
Alternatively, contact our distributor:
Bookpoint Ltd, Ashgate Publishing Direct Sales,
130 Milton Park, Abingdon, Oxon, OX14 4SB, UK
Tel: +44 (0)1235 827730 Fax: +44 (0)1235 400454
ashgate@bookpoint.co.uk
Hardback 978-0-7546-7378-1 £50.00
This title is also available as an ebook 978-0-7546-9103-7
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Flirting with Space
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Journeys and Creativity
David Crouch
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Dr Iain Biggs elected
RSA Fellow
Dr Iain Biggs, Reader in Visual Arts in the Faculty of Creative
Arts, Humanities and Education at UWE, Bristol, co-convenor of LAND2
and Director of PLaCE,
has recently been elected a Fellow of the Royal Society for the encouragement
of Arts, Manufactures & Commerce (RSA).
Iain has recently returned from the USA where, together with LAND2
members Dr Judy Tucker (Leeds)
and Dr Victoria Walters (UWE),
he attended the “Mapping Spectral Traces”
symposium at Virginia Tech organized by Prof
Karen Till, also an associate member of LAND2.
Judith and Iain also each exhibited work in one of the two exhibitions
accompanying the symposium - get a pdf of catalogue at: http://www.isce.vt.edu/files/MappingSpectralTracesCatalogFull.pdf
Iain commented: “I am delighted to have been honoured in this
way, not least because I believe it demonstrates the growing and very
positive impact that the work of PLaCE
and LAND2
are now having in the national and international arena”. |


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All Over
the Place: Drawing Place, Drawing Space.
Recent drawings by 17 contemporary artists will
be featured in a forthcoming exhibition at the Stanley and Audrey
Burton Gallery, University of Leeds. Selected works will be exhibited
by artists from the LAND2 group and the Drawing Research Group (University
of Lincoln) that explore the relationship between the act of drawing
and the experience of place. The exhibition, ‘All Over the Place:
Drawing Place, Drawing Space,’ runs from 22 June - 23 October
2010. The Gallery is open Mon-Sat, 10-5pm, and admission is free.
The exhibition celebrates the artists’ ongoing research into
the experience of drawing. Participating artist Anne-Marie Creamer
explains, ‘I see drawing as a spatial practice, touching quite
literally on an intertextual labyrinth of references.’ Using
a range of media, the artists investigate how the act of drawing influences
how we understand and engage with spaces, as well as how places can
influence drawing practice itself. LAND2 is a national research network
of artists, lecturers and students with an interest in contemporary
landscape and place-oriented art practice; the exhibition is a result
of its collaboration with the Drawing Research Group. The participating
artists are Catherine Baker, Iain Biggs, Jayne Bingham, Anne-Marie
Creamer, Paul Edwards, Paul Fieldsend-Danks, Deborah Gardner, Polly
Gould, Mick McGraw, John Plowman, Gill Robertson, Doris Rohr, Dan
Shipsides, Emma Stibbon, Andrea Thoma, Judith Tucker, and David Walker-Barker.
All Over the Place is a title borrowed from Lucy Lippard’s The
Lure of the Local: Senses of Place in a Multi-centred Society, in
which she describes place as a temporal, spatial, personal and political
map of a person’s life – tracking its past, present and
future. In their drawings, the artists explore places as locations
layered with human histories, identities and memories. As artist David
Walker-Barker commented: ‘Drawing is one way of touching a landscape
and whatever that landscape enfolds. Responses are strongest where
humanity and the landscape have formed an alliance, coming together
in exacting and striking relationships.’
Artist-lecturers Dr. Iain Biggs (University of the West of England)
and Judith Tucker (University of Leeds) established the LAND2 group
in 2002. This network of artists, art lecturers and students share
a core of common interests around how art practices can engage with
the possibilities and problems of contemporary landscape and place.
Jayne Bingham (Norwich University College of the Arts) and Judith
Tucker co-convened the current show, a version of which was exhibited
at the University of the West of England, Bristol in 2008.
Tucker hopes to show how considering place inflects her dramatic monochrome
pieces, as well as how that practice might contribute to an affective
understanding of a specific place. Her intention is that drawings
‘become places between, interstitial areas, uncanny spaces between
past and present: arguably holding the potential for a postmemorial
affect’. Paul Edwards agrees, he sees ‘drawing as a means
of making a connection in a specific way with the physical world.
It is an act of contemplation; drawing takes time and contains time.’
The exhibition will be accompanied by a programme of events, including
an academic symposium and a family fun day. Full event details can
be found on the gallery website: www.leeds.ac.uk/gallery/exhibitions-future.htm
The Stanley & Audrey Burton Gallery,
Parkinson Building, University of Leeds, LS2 9JT
www.leeds.ac.uk/gallery
Tel: +44 (0)113 3432778 Fax: +44 (0)113 3435561 E-mail: gallery@leeds.ac.uk
Admission/ Hours: 10.00 - 17.00, Mon-Saturday Admission: FREE
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April 9 - 13
june 2010 |
Calvert22
is delighted to present Distance and Sensibility, featuring work by
Pavel Büchler, Ergin Çavuşoğlu, Margarita Gluzberg,
Marysia Lewandowska and Lily Markiewicz and curated by David Thorp.
Each of the five artists taking part in Distance and Sensibility originates
from a different part of Eastern Europe and Russia and they have each,
for different reasons, decided to settle in the UK. This exhibition
will examine the sensibility that such movement has engendered in
the work of these artists.
The spread of people around the globe has proved fertile ground for
artists both as individuals as well as collectively. Frequently the
focus in the West is on the Asian or African Diasporas but the largest
dispersion of peoples around the world after the Chinese originates
in Poland. However, the exhibition acknowledges that there is much
more to the production of art than concerns with individual identity
and considers the work of these artists as part of the global phenomenon
that is contemporary art. The exhibition does not seek to address
the position of the migrant from a sentimental or nostalgic point
of view or as an extension of the notion of the “other”.
It instead invites the audience to reflect upon how the sensibilities
that led to the production of these works were formed.
German-born artist Lily Markiewicz explores displacement, language
and territory through the media of video, photography and sound. She
depicts everyday, domestic images that can be read as simultaneously
familiar and foreign to the viewer. Her work is rooted in a history
of migration, placelessness and the act of remembering. For Markiewicz,
the function and even purpose of memory are both theme and question.
Tarkovsky’s Mirror (1-2-3, 2010 takes the form of a triptych
comprised of three diptychs. Each diptych is made from a combination
of found objects, photographic images and video in order to investigate
the often-obscure relationship of reality to fantasy and memory, and
the role they play in our understanding of the world and our place
in it.
Address: 22 Calvert Avenue, London E2 7JP
Opening Hours: Wednesday - Saturday: 10am - 6pm; Sunday: 11am - 5pm
Admission: Free
Contact: +44 (0) 20 7613 2141| info@calvert22.org
Nearest Tube: Old St / Liverpool St
Website: www.calvert22.org
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Nurrungar (listening station) |
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Louise K Wilson
Thursday February 11th 2010
18:00 - 20:00hrs
RSVP by February 4th to Louise K Wilson
at lkwilson@dircon.co.uk
The Theatres Trust
First Floor
22 Charing Cross Road, London WC2H OQL
Nearest Tube : Leicester Square
You are invited to a seminar and screening event to mark the end of
Louise K Wilson’s NESTA Fellowship. This evening event will
explore ideas around sound, the uncanny, resonance, architecture and
haunting. Participants include writer and composer David Toop, artist
Jacob Kirkegaard, curator Lina Dzuverovic and artist Louise K Wilson.
Discussion will be accompanied by film extracts and sound clips to
illustrate various perspectives on the sonification of space. |
Over the course of her Fellowship, Louise travelled inside numerous
military and scientific sites in pursuit of the acoustics of resonant
spaces. She explored the ways in which technologies of the audible
create new ways of engaging with the lost traces of institutional
places that are ordinarily overlooked and was interested in how these
sites resonate with cinematic narratives. The participants in the
event have been invited based on conceptual and thematic overlaps
with this line of enquiry. Please note that
wheelchair users may need assistance to access the lift inside the
building. |
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Faculty of Arts
A symposium/debate: ‘Drawing, Place and Memory’
Friday15th January 2010, 2pm -5.30pm
Sallis Benny Theatre, Grand Parade, Brighton,
Sussex BN2 OJY |
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What kind of role
can drawing have in researching and reflecting on the appearance of
places (where we are) and our relationship to them physically and
in memory (how we are)? Timed to coincide with
Emma Stibbon's exhibition ‘StadtLandschaften’
in the University gallery, Dr Iain Biggs,
Anne Marie Creamer and Emma Stibbon will
be making individual presentations and debating these issues in subsequent
conversation between themselves and the audience. The event chaired
by Peter Seddon is open to all and will be of particular interest
to those exploring drawing and its use in rural/wild/urban locations.
Dr Iain Biggs is Reader in Visual Art
Practice in the Faculty of Creative Arts, University of the West of
England, Bristol. Trained as a painter and printmaker, he is currently
engaged in a collaborative deep mapping project in north Cornwall,
employing a range of different media, including drawing. www.land2.uwe.ac.uk/ibiggs.htm
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Anne-marie Creamer
is an artist and academic. Her films, drawings and objects collectively
form a kind of expanded narrative that tread a line between documentary
& fiction, realism & illusion. www.amcreamer.net
Emma Stibbon is an artist who places drawing at the
centre of her practice, she teaches on the Fine Art: Printmaking BA(Hons)
course at the University of Brighton Faculty of Arts. Her practice
spans the extremes of the natural and the urban landscape and focuses
on the constant transformation of place. artsresearch.brighton.ac.uk/research/academic/stibbon
This event is open to all, there is no need to prebook. For more information
please contact Madi Meadows on 01273
643720 |
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